This project began as a simple routine - photographs made quickly before lectures. What emerged was
a dialogue between parallel forms of attention: the artist’s photographic study mirrored by
another’s quiet concentration, both unfolding in morning hours.
Central to the project is an evolving methodology of material treatment. The work developed its
own logic through accumulation - of images, processes, and decisions. Each step forward became
irreversible; nothing could be undone or remade. Misprints remained as diptychs, technical errors
dictated new directions, and every action left its permanent trace. The constraints weren't just
boundaries but active collaborators that shaped the work's evolving rules of engagement.
